Play Overview: 'The Beat Goes On'

Published in Politics and Government on Sunday, August 17th 2025 at 14:48 GMT by WSOC
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Several big names are taking on local politics and their intersections with theater at a Charlotte playhouse.

Political Beat: Charlotte Play Takes Aim at Trump-Era Turmoil

In the heart of Charlotte, North Carolina, a new theatrical production is stirring up conversations about politics, power, and the American dream. Titled "The Beat Goes On," this play, written and directed by local playwright Elena Ramirez, delves deep into the chaotic landscape of contemporary U.S. politics, with a particular focus on the lingering effects of the Trump administration. Premiering at the intimate Black Box Theater in uptown Charlotte, the production has quickly become a talking point among theatergoers and political enthusiasts alike, blending sharp satire with poignant drama to explore how political rhetoric shapes personal lives.

The story centers on a fictional Midwestern family whose lives are upended by the 2016 presidential election. The protagonist, a middle-aged factory worker named Jack Harlan, represents the archetype of the disillusioned voter who felt left behind by globalization and economic shifts. As the narrative unfolds, Jack becomes increasingly drawn into the orbit of a charismatic political figure who bears an unmistakable resemblance to Donald Trump—complete with bombastic speeches, Twitter-like rants, and promises to "make America great again." Ramirez doesn't shy away from direct parallels, incorporating elements like border wall debates, immigration policies, and media sensationalism that defined the Trump years.

What sets "The Beat Goes On" apart is its rhythmic structure, inspired by beat poetry and hip-hop influences. Scenes transition with spoken-word interludes, where characters rap about policy failures and social divides. This stylistic choice not only keeps the pacing energetic but also underscores the play's theme: the relentless "beat" of political noise that drowns out everyday voices. One memorable sequence features a chorus of actors portraying cable news pundits, chanting statistics on unemployment and inequality in a cacophony that mimics the 24-hour news cycle. It's a clever critique of how media amplification turned political discourse into entertainment, often at the expense of truth.

Ramirez, a Charlotte native with a background in journalism, drew inspiration from her own experiences covering local elections. "I wanted to humanize the headlines," she explained in a post-show discussion. "We see these big events on TV, but what about the families torn apart by them? This play is my way of processing the division we've all felt." The cast, a diverse ensemble of local actors, brings authenticity to the roles. Lead actor Marcus Thompson, playing Jack, delivers a powerhouse performance, capturing the internal conflict of a man grappling with his evolving beliefs. His monologues, laced with references to real Trump quotes like "fake news" and "build the wall," elicit both laughter and uncomfortable silence from the audience.

The production doesn't limit its scope to Trump alone; it extends to broader critiques of both major parties. A subplot involves Jack's daughter, a college student activist, who clashes with her father's views, highlighting generational divides. She organizes protests against policies like family separations at the border, drawing from real events during the Trump era. The play also touches on the January 6 Capitol riot, portrayed through a dreamlike sequence where characters navigate a surreal "insurrection" set to pounding drumbeats. This moment serves as a stark reminder of how political fervor can escalate into violence, prompting reflection on accountability and healing.

Audience reactions have been mixed but passionate. Some attendees praise the play for its boldness, calling it a "much-needed mirror to our society." One viewer, a retired teacher from nearby Concord, shared, "It made me rethink my own biases. Theater like this bridges gaps that politics can't." Others, particularly those with conservative leanings, have criticized it as biased, arguing it unfairly targets one side. "It's entertaining, but it feels like a hit piece," said a local businessman after a recent performance. Despite the divide, ticket sales are strong, with sold-out shows extending the run through the end of the month.

Beyond the stage, "The Beat Goes On" incorporates interactive elements to engage the community. Post-performance talkbacks allow audience members to discuss themes with the cast and crew, fostering dialogue in a city known for its growing diversity and political activism. Charlotte, often seen as a moderate Southern hub, has its own history of political tension—from the 2016 protests following the police shooting of Keith Lamont Scott to its role in national elections. Ramirez hopes the play contributes to local conversations, especially as the 2024 election looms.

Thematically, the production explores the psychological toll of polarization. Jack's journey from enthusiasm to regret mirrors the experiences of many real voters who felt empowered by Trump's outsider status but later questioned the consequences. Subtle nods to issues like healthcare reform, trade wars, and the COVID-19 response add layers, showing how policies ripple into personal spheres. A poignant scene depicts Jack's wife losing her job due to tariffs, forcing the family to confront economic realities often glossed over in campaign slogans.

Visually, the set design is minimalist yet evocative: a rotating platform symbolizes the spinning wheel of political cycles, with projections of news headlines flashing across the backdrop. Lighting shifts from warm, nostalgic tones during family moments to harsh, red hues during confrontational scenes, enhancing the emotional intensity. The soundtrack, composed by local musician Jamal Hayes, blends folk elements with electronic beats, reinforcing the "beat" motif.

Critics have noted the play's timeliness. In a review for the Charlotte Observer, theater critic Laura Jenkins wrote, "Ramirez masterfully captures the absurdity and tragedy of our political moment. It's not just a play; it's a pulse-check on the nation's soul." While some argue it could delve deeper into bipartisan failures, the overall consensus is that "The Beat Goes On" succeeds in provoking thought without preaching.

As Charlotte continues to evolve as a cultural center, productions like this highlight theater's role in social commentary. Ramirez is already planning expansions, including workshops for high school students on media literacy and civic engagement. For now, the play stands as a vibrant testament to art's power to dissect and perhaps mend the fractures in American democracy. Whether you're a political junkie or just seeking compelling drama, "The Beat Goes On" offers a rhythmic ride through the highs and lows of the Trump era, reminding us that the political beat, for better or worse, goes on.

In extending its run, the production has partnered with local nonprofits to offer discounted tickets to underserved communities, ensuring broader access. This initiative underscores Ramirez's commitment to inclusivity, making the play not just entertainment but a catalyst for change in a divided nation. As one character poignantly states in the finale, "The beat may be broken, but we can rewrite the rhythm." It's a hopeful note amid the critique, suggesting that awareness is the first step toward unity.

Read the Full WSOC Article at:
[ https://www.yahoo.com/news/articles/political-beat-charlotte-play-takes-165745561.html ]

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Play Overview: 'The Beat Goes On'

Political Beat: Charlotte Play Takes Aim at Trump-Era Turmoil